a rOund

          A rOund explores a cyclical structure akin to a rondo in which the main theme returns in various contexts throughout. A principal inspiration for the music is germination, in which a hardy seed releases root and sapling when given the correct moisture. Despite changing conditions, simple daily nutrients strengthen and enliven the plant. Over many cycles and seasons, a sapling can become an ancient and mighty tree.

Performances:

13 October 2024: Abby Washinger and Kathryn Stockmaster, The College of Wooster, Wooster, OH.

Celebration!

Celebration! expands the 2024 ICA ClarinetFest theme “Every Clarinetist is Connected” to a global scale and across many instruments. The interactive audiovisual work asks the audience to submit questions regarding their birth countries, where they have lived, and where they have traveled. The music features musicians from around the world who share the musical traditions that have meaning to them. Clarinet lines explore and develop these melodies while the electronics accompany and bridge the melodies with subtle nods to both traditional musics and to EDM. The work was co-composed by Dylan Findley and Csaba Jevtic-Somlai and features melodic contributions by Shuang Zhu, Handel Gyuri, Regina Tanujaya, Eduardo Frigatti, La Guacamaya Collective, and Kwan Leung Ling (in order of appearance).

To be premiered at the ICA ClarinetFest, Ecocem Room, Dublin Convention Centre, Dublin Ireland by Dylan Findley and Csaba Jevtic-Somlai.

to till the ground

For solo guitar.

The title to till the ground came after the music. The modal musical vocabulary, lulling rhythms, snappy embellishments, and hushed chromatic musings look backward to ancient practices. In a world saturated with information, most of life’s most precious lessons still come from the experience gained by the sweat of one’s brow and in connecting to the earth and its Creator.

Finished May 25, 2024.

Premiere August 16, 2024 at the São Paulo Contemporary Composers Festival by the exceptional guitarist Daniel Murray, for whom the piece was written (as a surprise).

A Real Buster

A Real Buster is a multimedia work for tenor saxophone, live electronics, and video that reflects on Buster Keaton’s legacy as a comic actor and as a filmmaker. The name Buster, given to him by Harry Houdini, referred to his extreme resilience to pain, which is manifest in his dangerous stunts featured in his movies.

To be premiered at the Kairos Multimeda Concert on April 2, 2024 by Drew Hosler at the Shoolroy Theatre, College of Wooster.

Five Wooster Miniatures

In honor of the first Celebration for Creators and Scholars at The College of Wooster, Five Wooster Miniatures celebrates unique aspects of the campus culture. The piece was written for Clarinet in B-flat.

I. Black Squirrels

II. The Arch

III. Scottie Dog

IV. Senior I. S. (A Lesson in Procrastination)

V. Tartan Farewell

Premiered March 1, 2024 at the Celebration for Creators and Scholars by Dylan Findley at The College of Wooster.

Figurings

Figurings takes inspiration from character-based written languages. The individual characters have their own pronunciations and several meanings, yet they combine to form nuanced words within a grammatical structure. To write the piece, I designed a pictographic notation of various multi-faceted musical figures. The music “figures out” these sonic characters as one might learn a sentence in a foreign language. Each syllable is pronounced and then combines with another to form musical words. As the piece progresses, stretched and sustained words contrast metered iterations, all in counterpoint with inevitable silences.

A special thanks to clarinetist Calvin Falwell and the McCormick Percussion Group under the direction of Kevin Von Kampen for preparing and premiering this unconventional work.

Premiered October 25, 2023 at the University of South Florida.

Cosmic Cliffs

Commissioned by and written for Ting Luo for the New Arts Collaboration, Cosmic Cliffs finds inspiration in and uses imagery from NASA’s James Webb Telescope. This multimedia work for piano and interactive media features electronic sound and video that reacts to the performer and allows for the performer to explore the sonic landscapes in points of rest in the piano part. The work is built around the overtone series, the foundation of timbre, representing the powerful filtering process that allows the telescope to block out unwanted light to capture events millions of light years away in stunning brilliance.

Premiered by Ting Luo on May 19, 2023 at Old First Concerts, San Francisco, CA.

Clarinet Pieces

Clarinet Pieces is a comedy piece for clarinet and piano, written for the College of Wooster Parody Recital. The performer performs with the mouthpiece attached to the lower joint, to the bell (loosely held), and with the upper and lower joint simultaneously (two mouthpieces). Other theatrics including interchange between the pianist and clarinetist are involved.

Premiered by Dylan Findley and Toni Shreve, Gault Recital Hall, April 15, 2023.

Ánimo

Written for Galán Trio’s Kinesis project, Ánimo betrays the theme of kinetic energy with a focus on potential energy. The word ánimo became a favorite word of mine while in Nicaragua from 2010 to 2012. The Spanish word might be defined as spiritual energy or enthusiasm manifest in courage, faith, and hope. After the loss of three grandparents over the past few years, my ánimo has found new meaning as I have focused on building family relationships. Woven into the piece is a fragment from a religious children’s song “Families Can Be Together Forever” that teaches that family bonds will continue after death. The music hobbles through nostalgia, excitement, warmth, yearning, and questioning before mustering final courage that quickly evaporates into the same promising sparkle of hope that begins the piece. The work is dedicated to my grandparents who have passed on, who instilled ánimo into me with their compassion and care.

Premiered by Galán Trio as part of their Midwest Kinesis Tour in November 2022:

November 1, Mairs Concert Hall, Macalester College, St. Paul, MN.

November 3, Lloyd Ultan Recital Hall, University of Minnesota, Minneapolis, MN.

November 4, Jenson-Noble Hall of Music, Luther College, Decorah, IA. 

November 5, Nola Starling Recital Hall, Viterbo University, La Crosse, WI.

November 7, Duesenberg Recital Hall, Valparaiso State University, Valparaiso, IN.

November 8, Boyce Recital Hall, Indiana State University, Terre Haute, IN.

November 9, Fine Arts Recital Hall, Northeastern Illinois University, Chicago, IL.

Race in Space!

Co-written and premiered with Csaba Jevtic-Somlai, Race in Space! contemplates the experience of private space travel. The music is both sprightly and explorative with clear melodies and tonal bouts blended with growling, multiphonics, bends, scoops, glissandi, and even reconstructions and additions to the clarinet. Electronic interludes based on NASA footage frame the launch and landing movements.

Movements

  1. Preparations

  2. Liftoff

  3. Leaving the Atmosphere

  4. In Outer Space

  5. Splash Landing!

Premiered by Csaba Jevtic-Somlai and Dylan Findley on June 29th, 2022 at the annual International Clarinet Association ClarinetFest, Reno, NV.

i2i

At the onset of the 2020-2021 pandemic, I found myself, along with many others, on social media more than ever before. Ironically, the time online did not fill my social void. I felt anxious, discouraged, and hooked to every social and political issue. If only I knew earlier that I was playing with fire! The artificial intelligence keeps people online through endless information and the yearning for replies and reactions. It has also been the hotbed of conspiracy theories and misinformation that have led to hate towards already marginalized groups and even terrible acts of violence. With such forces in play, how can one get to know the real you?

In i2i, the two performers (each a capital I) attempt to connect, but they compete with the aggressive electronics. Only when they see through the games of the electronics are they able to overcome its influence. In other words, the individual “I” steps down (lowercase “i”) to arrive at a unison (a2). Only by interacting directly and not through the filters of media are they able to see eye to eye.

Premiered July 15, 2021 at the International Trombone Festival by Russ Zokaites and Nathan Mensink.

Commissioned by the Barlow Endowment for Music Composition at Brigham Young University

Lo!

Lo! contemplates a path towards peace amid tumultuous times. The year 2020 will be remembered primarily for its pandemic and the equally disheartening voices of confusion and contention that offer quick cures, people and nations to blame, compromised statistics, and other conspiracies. More intense feelings came from the death of George Floyd and subsequent protests including riots against police brutality and continued systemic and personal racism. All this heralds a controversial presidential election that has politicized these ongoing events. The music represents this noise with… noise. Old advertisements and game shows, moody string quartet music, and synthesizers create a whirlwind of grit and chaos.

In stark contrast, the year 2020 also marks a year of celebration for Latter-day Saints, the Bicentennial of the First Vision, during which God the Father and Jesus Christ appeared to the prophet Joseph Smith. The 14-year old farm boy questioned the state of his soul and pled to the Lord concerning his salvation. He was saved from darkness because he had put faith in his Redeemer and acted upon it. In great noise we, like him, can find answers to prayers and feel peace. The trumpet music weaves hymn tune fragments as respite to the frenzied sounds. As the electronics give way to consonance, the trumpet performs over just-intoned electronics over a fundamental pitch, representing purity through a connection to heaven.

            This project was made possible through the groundwork done by the Prelinger Archives and the Internet Archive. Special thanks are also warranted to Erin Jossie for her help filming, and Erin and Michael Findley for their help editing and finessing the video component.

The Story of Our Journey

For information on future performances and the background of the work, visit this page dedicated to the project.

Interested in performing this work? The score is available for purchase below, and the electronic audio component (stereo fixed media with visual cues operated through Max/MSP) is available for those who plan to perform the piece live (I’ll be in touch about that!). Read about the video component below.

Score excerpt here.

Purchase the score ($60)

While this piece can be played without the video, the video component adds important context to the work, including the faces and translated words of those who tell their stories. However, the video of The Story of Our Journey is owned by non-profit advocacy organization Their Story is Our Story. Please contact them to make arrangements for the video to be projected during performance.


Performances/Showings to Date:

April 14, 2023- Live performance at the College of Wooster for the Their Story is Our Story residency Displacement Today in Wooster, OH. Performed by Csaba Jevtic-Somlai.

February 21, 2022- Live performance of movements 2 and 3 at the Worlds Within the One recital at the University of Wisconsin-La Crosse in La Crosse, WI. Performed by Dylan Findley.

November 19, 2021- Live performance at the Glendale Civic Center in Glendale, AZ. Sponsored by the City of Glendale Office of Arts and Culture through their Performing Arts Grant Program. Performed by Csaba Jevtic-Somlai.

November 5, 2021- Live performance at the Glendale Ampitheater in Glendale, AZ. Sponsored by the City of Glendale Office of Arts and Culture through their Performing Arts Grant Program. Performed by Csaba Jevtic-Somlai.

October 23, 2021- Live performance at the Millcreek Library in Salt Lake City. Performed by Csaba Jevtic-Somlai.

October 21, 2021- Live performance at Brigham Young University as part of Their Story is Our Story’s residency. Performed by Csaba Jevtic-Somlai.

June 20, 2021- Online showing through Washington D.C.-based organization Sunset Run for Refugees (World Refugee Day).

June 18, 2021- Live excerpts performed at World Refugee Day activities in Salt Lake City, UT.

March 19, 2021- Online showing #2 through City of Phoenix Office of Arts and Culture

January 22, 2021- Online showing through the City of Phoenix Office of Arts and Culture

December 5, 2020- Online video “European premiere,” followed by panel discussion with TSOS Europe representative.

October 16, 2020- Online video premiere, followed by panel discussion with TSOS Phoenix area representative.

Music for Earbuds

The solitude during the COVID-19 quarantine draws me to the incidental sounds of everyday life, both those of nature and those we have imposed upon our sonic environment. In the spirit of John Cage or Brian Eno, Music for Earbuds accompanies rather than distracts from the soft sonic stirrings around the listener during daily tasks. Electronic music from earbuds frames ambient sounds through contrasts of soft melodic gestures, processed intimate natural and mechanical sound samples, and complete silence. By gently drawing attention to soft, processed and synthesized sounds, intermittent silences invite the listener to experience the ambient music already in motion.

Commissioned by the Center for Latter-day Saint Arts for their Art for Uncertain Times project.


Performances:

Virtual premiere, June 2020.

Improvisations I: MicroTunes

Improvisations I: MicroTunes is a structured improvisation or “half-composed” piece for soloist of any instrumentation and live electronics. This improvisation explores different detuned scales and microtonal harmonies. The music challenges the performer to navigate the dormant structures built into the electronics and poses questions about the liminality between composition and improvisation. This is the most recent addition to a larger Improvisations series. See the following links for further examples:

Improvisations IV: An Appeal to the [SOUND] Masses
Improvisations V: Two-Track Mind
Improvisations 5.2: Two Tracks for Two Minds (free electronics with laptop performer)
Improvisations VI: Just, Plane, Natural

Written for and in collaboration with Eric Giles

Performances

November 21, 2019 by Eric Giles, White Recital Hall, UMKC, KCMO.

I Go a Fishing

I Go a Fishing voyages away from the spectacle and fanfare of a bright, bombastic major sonority to arrive at an eerie harmonic world. Out foggy dissonances arrives a quick section that builds towards the return of a major chord, a tritone away from the opening, that settles a half step below. 

In some cases, we all are like the biblical Peter, who after seeing countless miracles until even the Risen God Himself, finds himself drifting back towards his former habits, proclaiming, “I go a fishing.” Whether by a net overflowing with fishes or by a strict admonition to “Feed my sheep,” we learn that the privileges and opportunities we receive carry a responsibility to others that both will challenge us and will yield a greater sense of purpose, livelihood, and peace if fulfilled. (John 21)

Commissioned by the São Paulo Contemporary Composers Festival Orchestra Commissioning Project for the Orquestra Sinfônica da UNICAMP


Performances

October 10, 2019 by the Orquestra Sinfônica da UNICAMP at the Auditorio de Ciencias Médicas, Universidade de Campinas, Campinas, Brazil.

Courtly Dance

Written for Alexandre Ribiero, Courtly Dance takes a contemporary view of the stylized dance forms popular in the 16th and 17th centuries, such as the Allemande, Canario, Minuet and Trio, and Galliard. Rather than imitate the style of one of these dances, the music moves to its own step in frequent meter changes and juxtaposed themes. Open string clusters are prominent throughout what could be the middle section of the piece (most reminiscent of a Trio section). The A section features mostly duple meters and stitched repeated fragments while the B section introduces a longer, lyrical melody in contrast.


Performances:

October 5, 2019 by Alexandre Ribeiro at the Catedral de Sé, São Paulo, Brazil.

A Statement and the Sound

Premiered by the Mnemosyne Quartet, heard here.

A Statement and the Sound for group of performers and PowerPoint presentation deliberates the aesthetics of music in a nuanced and lively pre-recorded lecture on aesthetics. Some completely (un)intentional glitches might still need to be worked out…

PERFORMANCES

  • June 17, 2019 by Mnemosyne Quartet, UMKC Composition Workshop, White Recital Hall, White Recital Hall at the University of Missouri-Kansas City, KCMO.

Idiopathic

In working with choreographer Sophie Henning, we explored the idea of an existing but uncurable and unidentified medical trauma that induces pain and paralysis. The music drifts from this paralysis to feelings of hope that comfort but ultimately do not solve the severe and debilitating medical condition.

PERFORMANCES

  • May 14, 2019 by the UMKC Dance Department, Petal by Petal , The Mulberry Room, KCMO.

Tektōn

Tektōn, the etymological basis of the word tectonic, is the Greek word for carpenter or builder. The jagged nature that begins the work mixes with more flowing sections that brought to mind the formation of volcanoes through massive force and molten rock, due largely to underlying action in tectonic plates. However, the word “tektōn” suggests an overarching craftsmanship to such chaotic landmarks, paralleling the construction and contrast between the erratic and the ordered in this piece.

Performances

  • April 9, 2019 by the UMKC Sax Choir for the 2019 UMKC Co[mp]llaboration at Californos, KCMO.