electroacoustic

Improvisations VI: Just, Plane, Natural

Improvisations VI: Just, Plane, Natural manipulates the improviser's playing to be different partials of harmonic series. Though the performer is free to improvise within the bounds of good judgment, the form is dictated by the order of events in the Pure Data software.


Interested in performing Improvisations VI: Just, Plane, Natural?

Contact me for more information.


Performances:

Improvisations 5.2 Two Tracks for Two Minds

Free improvisation based on Improvisations V.  For any instrument and laptop performer.


Interested in performing Improvisations 5.2: Two Tracks for Two Minds?

Contact me for more information.


Performances

April 15th, 2017 [Premiere], THIS IS THE END: Society of Composers, Inc., Andrew Friedrichs (trombone), Dylan Findley (laptop).

April 28th, 2017, Refreshing the Feeling: A Concert of Works by Dylan Findley, Paige Towsey (violin), Dylan Findley (laptop).

Improvisations V: Two-Track Mind

The second piece in my Improvisations set, this piece experiments with randomized, manipulated loops of material produced by the improviser.  These loops inherently create rhythms, and the improviser performs according to the rhythms.  As with the first improvisation, the form is set, making it a unique and identifiable piece.


Interested in performing Improvisations V: Two-Track Mind?

Contact me for more information.


Performances:

Improvisations IV: An Appeal to the [SOUND] Masses

This improvisation is fed through a Pd Extended patch, which processes, modulates, and loops the improvised sounds.  The structure is determined by a loop pedal, and the performer is encouraged to familiarize him or herself with this structure to take advantage of its unique qualities.


Interested in performing Improvisations IV: An Appeal to the [SOUND] Masses?

Contact me for more information.


Performances